Roland Sc-88 Pro Soundfont

The SC-88 Pro featured sophisticated voice stealing algorithms to manage its 64-voice polyphony. When played via a modern computer through an SF2 player, the computer has virtually unlimited polyphony. Paradoxically, this can change the character of complex MIDI files; fast runs that would cause "note cutting" on the hardware sustain fully in software, potentially creating a "muddy" mix that differs from the composer's intent.

Generally, , if they contain original audio samples recorded from the hardware. The PCM waveforms inside the SC-88 Pro are copyrighted by Roland Corporation. Distributing a SoundFont made from those samples is copyright infringement. However, Roland has historically turned a blind eye to small-scale, non-commercial fan projects. If you plan to release a commercial track using these sounds, you are technically on shaky ground. Roland Sc-88 Pro Soundfont

| Name | Format | Fidelity | Pros | Cons | | :--- | :--- | :--- | :--- | :--- | | (by "Midi Lord") | SF2 | Medium | Good drum maps, widely available | Missing delay effect; aliasing in high strings | | Roland GS SoundSet (by "S. Christian Collins") | SFZ | High | Scripted filters, correct envelopes | Requires dedicated SFZ player (e.g., sforzando) | | SC-88 Pro (unofficial) (by "Musescore User") | SF3 | Low | Compressed, small file size | Degraded audio quality, wrong pitch bends | | FluidR3_GM (unrelated but often confused) | SF2 | N/A | Not SC-88 Pro | Do not use if seeking authentic Roland sound | Generally, , if they contain original audio samples

How quality varies across releases