Come Undone (Italian title: Cosa voglio di più ) is a 2010 Italian erotic drama film directed by Silvio Soldini. Set in Milan, the film provides
What starts as an impulsive spark quickly spirals into a cycle of: Wednesday Rendezvous Come Undone Movie 2010
The story is set in the coastal city of Genoa, Italy. It follows (played by Alba Rohrwacher), a accountant living a seemingly content and orderly life. She is happily married to Alessio , a kind and reliable man, and they are planning to have a child. Their life is comfortable, if somewhat routine. Come Undone (Italian title: Cosa voglio di più
Anna is a successful Milanese accountant living a stable life with her caring partner, Alessio. Her world is upended when she meets Domenico, a married waiter and father of two. The two begin a torrid affair defined by secret meetings and increasingly complex lies. As their passion grows, they face difficult choices about their futures and the families they are risking. Key Cast and Crew Come Undone (2010) She is happily married to Alessio , a
The story follows ( Alba Rohrwacher ), a woman living a stable, somewhat predictable life with her devoted partner, Alessio. Her world is upended when she meets Domenico (Pierfrancesco Favino), a married father of two, at a company party. What begins as a passionate flirtation quickly evolves into a full-blown affair, forcing both to navigate the grueling logistics of secret meetings, mounting lies, and the realization that their love is complicated by their modest economic realities. Key Themes
At its core, Come Undone is a story about the collision between societal expectation and untamable desire. The film follows Anna (Alba Rohrwacher), a young woman in her twenties living a stable, if uninspired, life with her boyfriend in Milan. When she meets Domenico (Pierfrancesco Favino), a married chef with a brooding intensity, their immediate connection spirals into a consuming affair. But unlike Hollywood’s glamorized versions of infidelity, Soldini strips the romance bare. The stolen kisses happen in car parks; the passionate nights are followed by anxious mornings. There are no villains here—only two people who have come undone by a feeling they cannot control.
Unlike many coming-out stories, Come Undone isn't about a character afraid to admit he’s gay. Mathieu knows what he wants. The tragedy is that the world—his family, his peers, his own internalized shame—won’t let him have it quietly. The film brilliantly contrasts the liberating space of the beach (open, natural, free) with the suffocating space of his home (dark, cluttered, judgmental).