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On the other hand, critics argue that this trend is symptomatic of a broader societal problem, where the objectification and sexualization of women have become increasingly prevalent. They contend that the phenomenon perpetuates a culture of "exhibitionism" and " commodification" of women's bodies, reducing them to mere objects of attention and desire. This, in turn, contributes to a culture of harassment, catcalling, and violence against women.

: Traditional patriarchal structures sometimes frame the car as a "masculine" space of control, where the presence of a female companion reinforces the driver's social standing. 3. Safety and Modern Femininity On the other hand, critics argue that this

However, it is reductive to label these women merely as victims of poverty. Indonesian consumerism has created a culture of gengsi (prestige). The phenomenon also involves middle-class women seeking extra cash for luxury goods—a symptom of hedonism rather than hunger. The car, often owned by the male patron or rented, symbolizes a temporary escape from the crammed Kosan (boarding house) into a space of air-conditioned, private affluence. : Traditional patriarchal structures sometimes frame the car

: Despite these shifts, 62.4% of women in some surveys still believe a wife must obey her husband, showing the persistent tension between modern lifestyle trends and deeply ingrained patriarchal norms. Indonesian consumerism has created a culture of gengsi

In Indonesian culture, as in many others, interactions between men and women can be influenced by social norms, religious beliefs, and cultural values. The term might refer to casual or informal relationships, or even objectification of women.

While not a singular "official" social issue, the concept touches on several themes in contemporary Indonesian culture: Gender Tropes