Le Bouche-trou -1976- -

: The story follows Joëlle (Hélène Chevalier) and her lover François (Serge Casado), a cameraman whose obsessive dedication to his work frequently interrupts their intimacy.

Critics often describe the film as having a "clear message" favoring bisexuality. It explores Joëlle’s discovery of her partner’s own diverse sexual interests, eventually leading to a reconciliation through a ménage-à-trois. Cinematic Style: Le Bouche-trou -1976-

To research Le Bouche-trou is to confront the fragility of film preservation. It is to realize that for every Citizen Kane , there are a thousand titles whose only legacy is a smeared poster on a forgotten auction site. And in the film’s very crudeness lies a strange, uncomfortable honesty. It did not pretend to be art. It was a transaction between a director who needed to pay his rent and an audience that needed, for 75 minutes, to escape a grey, post-industrial Paris winter. : The story follows Joëlle (Hélène Chevalier) and

There is no notable information on awards or nominations for this film. Cinematic Style: To research Le Bouche-trou is to

Due to varying distribution and reissue strategies, the film has been known under several titles in different markets: French stars - IMDb

It seems you’ve shared a title and a date: — likely meaning The Stopgap or The Gap-Filler in French, followed by a year.

The film's cinematography and direction are characterized by a distinctive, deadpan style, which complements the absurdity of the narrative. Poiré's use of long takes, static shots, and a muted color palette creates a sense of detachment, underscoring the comedic tone of the film. The score, composed by Pierre Bensussan, adds to the overall sense of unease and surrealism.