The 2001 Sampit conflict in Central Kalimantan, Indonesia, was one of the most violent inter‑ethnic confrontations in recent Indonesian history. In the digital age, footage of the clashes quickly circulated on the internet, often in “full‑new, no‑sensor” (uncensored) formats. This paper examines the historical background of the Sampit conflict, the emergence and distribution of uncensored video material, and the broader ethical, legal, and sociopolitical ramifications of disseminating graphic, unfiltered content. By integrating scholarly literature on media violence, digital ethnography, and Indonesian law, the analysis highlights how uncensored visual documentation both informs and challenges public understanding of conflict, while raising critical questions about the responsibilities of content producers, platforms, and scholars.