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This "realism" is often attributed to the limited budgets of the industry, but it is truly a cultural choice. The audience in Kerala has historically rejected the suspension of disbelief required for larger-than-life fantasy. They demand stories that could happen to their neighbor, or to them. The beauty of a Malayalam film is often found in the mundane: the sound of a pressure cooker, the gossip at a local tea shop, or the specific dialect of a Thrissur native versus a Trivandrum local.

No discussion of Malayalam cinema and culture is complete without language. Malayalis are logophiles. They love words. Their cinema reflects this. This "realism" is often attributed to the limited

A film like Joji (2021) (an adaptation of Macbeth ) has barely any dialogue. But Njan Prakashan (2018) is a firehose of witty, self-deprecating monologues. The best Malayalam screenwriters—Syam Pushkaran, Murali Gopy, Unni R.—write dialogue that functions like short stories. The beauty of a Malayalam film is often