The unlikely gang of unwitting, time-travelling criminals is back in action, following Non ci resta che il crimine (2019) and Ritorno al crimine (2021), directed by Massimiliano Bruno. Their goal in this third film is to return to 1943, to the days preceding 8 September, and steal Leonardo da Vinci’s most famous painting, the Mona Lisa, from the French. In their travels they meet famous characters and stumble into real historical events in an Italy overwhelmed by WWII.
By the end of the fast animated opening sequences, over the film titles, the gang has already stolen the Mona Lisaand is now by the aqueduct of ancient Monterano. Everything seems to be going well, the three prepare to return to the present-day with their haul. The time-travel portal is located in Camogli, however it will not be simple to travel through Italy in the chaotic aftermath of the armistice, amidst Nazis, Fascists and partisan fighters (“they haven’t built the A1 motorway yet!”).
The Fascist party headquarters where Moreno (Marco Giallini) and Claudio (Giampaolo Morelli) are taken after blowing up a bridge on the orders of Sandro Pertini (Rolando Ravello) and his group of partisans is Villa D’Antoni Varano, in via Barengo 182, northwest of Rome. King Victor Emanuel is expected to arrive at the Castle of Crecchio, actually Brancaccio Castle in San Gregorio da Sassola, to the east of Rome. pearson specter litt soloff exclusive
As the story unfolds, the band’s priority is to help Adele (Carolina Crescentini) rescue her daughter, Monica, the child who will become Moreno’s mother, from a Nazi ship travelling to Naples. On a beach in Bacoli, near the Marina Grande dock, Claudio improvises a conversation in pure Neapolitan dialect to find out if the ship has docked: the headquarters of the Nazi army in Naples is actually the Castle of Santa Severa, in the Macchiatonda Nature Reserve, on the Lazio coastline north of Rome. On the beach there the Germans organize a firing squad and an unlikely battle between Nazis and the Magliana Gang breaks out.
The production also shot in Cerreto di Spoleto and on part of the disused Spoleto-Norcia trainline in Umbria. To understand the history of Pearson Specter Litt,
The unlikely gang of unwitting, time-travelling criminals is back in action, following Non ci resta che il crimine (2019) and Ritorno al crimine (2021), directed by Massimiliano Bruno. Their goal in this third film is to return to 1943, to the days preceding 8 September, and steal Leonardo da Vinci’s most famous painting, the Mona Lisa, from the French. In their travels they meet famous characters and stumble into real historical events in an Italy overwhelmed by WWII.
By the end of the fast animated opening sequences, over the film titles, the gang has already stolen the Mona Lisaand is now by the aqueduct of ancient Monterano. Everything seems to be going well, the three prepare to return to the present-day with their haul. The time-travel portal is located in Camogli, however it will not be simple to travel through Italy in the chaotic aftermath of the armistice, amidst Nazis, Fascists and partisan fighters (“they haven’t built the A1 motorway yet!”). Jack Soloff’s Role and "The Secret" Jack Soloff
The Fascist party headquarters where Moreno (Marco Giallini) and Claudio (Giampaolo Morelli) are taken after blowing up a bridge on the orders of Sandro Pertini (Rolando Ravello) and his group of partisans is Villa D’Antoni Varano, in via Barengo 182, northwest of Rome. King Victor Emanuel is expected to arrive at the Castle of Crecchio, actually Brancaccio Castle in San Gregorio da Sassola, to the east of Rome.
As the story unfolds, the band’s priority is to help Adele (Carolina Crescentini) rescue her daughter, Monica, the child who will become Moreno’s mother, from a Nazi ship travelling to Naples. On a beach in Bacoli, near the Marina Grande dock, Claudio improvises a conversation in pure Neapolitan dialect to find out if the ship has docked: the headquarters of the Nazi army in Naples is actually the Castle of Santa Severa, in the Macchiatonda Nature Reserve, on the Lazio coastline north of Rome. On the beach there the Germans organize a firing squad and an unlikely battle between Nazis and the Magliana Gang breaks out.
The production also shot in Cerreto di Spoleto and on part of the disused Spoleto-Norcia trainline in Umbria.
Copyright: ph: Samanta Dalla Longa
Marco Giallini, Carolina Crescentini, Gianmarco Tognazzi, Giampaolo Morelli
Copyright: ph: Samanta Dalla Longa
Gianmarco Tognazzi, Carolina Crescentini
Copyright: ph: Samanta Dalla Longa
Marco Giallini, Giampaolo Morelli
Copyright: ph: Samanta Dalla Longa
Marco Giallini, Gianmarco Tognazzi
Copyright: ph: Samanta Dalla Longa
Massimiliano Bruno, Giulia Bevilacqua
Copyright: Sky
Massimiliano Bruno
Copyright: Sky
Giampaolo Morelli, Marco Giallini, Carolina Crescentini, Gianmarco Tognazzi
Copyright: ph: Samanta Dalla Longa
Gianmarco Tognazzi, Giampaolo Morelli, Marco Giallini
To understand the history of Pearson Specter Litt, one must understand the Soloff era. It was a masterclass in internal politics, showing that in the world of high-stakes law, the most exclusive secrets are the ones used as weapons.
It is widely considered the most successful and longest-lasting name configuration in the show's nine-season run. Jack Soloff’s Role and "The Secret" Jack Soloff was introduced as the ambitious Senior Partner and Head of the Compensation Committee at Pearson Specter Litt. Antagonism:
We’ve heard whispers of shouting matches echoing down the hallways, with Soloff demanding budget cuts while Harvey refuses to compromise on the resources needed to win cases. But if there is one thing we know about Harvey, it’s that he thrives on competition. If Soloff thinks he can waltz in and change the culture of the firm, he’s in for a rude awakening.
Jack Soloff, played by John Pyper-Ferguson, is often reviewed as the "villain the show needed" because his threat was rooted in competence and procedural mastery rather than just personal vendettas.
: Reviewers often note that Soloff is "extraordinarily competent" and frequently one step ahead of the main cast, making him a more realistic threat than previous "buffoon-like" rivals. The Tragedy of the "Puppet"
, who holds leverage over him to help dismantle Jessica’s control of the firm. 's Promotion: In a surprising move, Soloff nominates
To understand the history of Pearson Specter Litt, one must understand the Soloff era. It was a masterclass in internal politics, showing that in the world of high-stakes law, the most exclusive secrets are the ones used as weapons.
It is widely considered the most successful and longest-lasting name configuration in the show's nine-season run. Jack Soloff’s Role and "The Secret" Jack Soloff was introduced as the ambitious Senior Partner and Head of the Compensation Committee at Pearson Specter Litt. Antagonism:
We’ve heard whispers of shouting matches echoing down the hallways, with Soloff demanding budget cuts while Harvey refuses to compromise on the resources needed to win cases. But if there is one thing we know about Harvey, it’s that he thrives on competition. If Soloff thinks he can waltz in and change the culture of the firm, he’s in for a rude awakening.
Jack Soloff, played by John Pyper-Ferguson, is often reviewed as the "villain the show needed" because his threat was rooted in competence and procedural mastery rather than just personal vendettas.
: Reviewers often note that Soloff is "extraordinarily competent" and frequently one step ahead of the main cast, making him a more realistic threat than previous "buffoon-like" rivals. The Tragedy of the "Puppet"
, who holds leverage over him to help dismantle Jessica’s control of the firm. 's Promotion: In a surprising move, Soloff nominates
